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JONATHAN VANDYKE
Lives and works in Brooklyn, NY
EDUCATION
2008 Skowhegan School of Painting and Sculpture, ME
2004 MFA, Sculpture, Milton Avery Graduate School of Bard College, NY
1996 Post-graduate fellowship in studio art and the history of art, The Glasgow School of Art & The University of Glasgow, Scotland
1995 BA, Honors in Art, Washington & Lee University, Lexington, VA
SOLO EXHIBITIONS AND PERFORMANCES
2014
With One Hand Between Us, a Performa 11 program at Scaramouche, NY The Long Glance, Albright-Knox Museum, Buffalo, NY
2010 The Irrigated Husband, fivesevendelle, Boston, MA
2009 The Hole in the Palm of Your Hand, Scaramouche, NY Gloved Impediment, HQ, Brooklyn, NY
2007 What It Feels Like, Hartnett Gallery, University of Rochester, NY The Salon of the Covered Bride, Pocket Utopia, Brooklyn, NY
2006 New Objects In Progress, Great Hall Gallery, University of Chicago, IL
2001 Timing and Been, Susquehanna Art Museum, Harrisburg, PA SELECTED GROUP EXHIBITIONS
2014 The Armory Show, New York, with Loocke Gallery, Berlin Répétition Générale, 1/9unosunove, Rome
2013 Playlist, National Academy Museum, New York NO NAME, On Stellar Rays, New York From Here to There, Stedman Galleries, Rutgers University, NJ The Road, Luis de Jesus Los Angeles, Los Angeles, CA Do it (outside), Socrates Sculpture Park, New York Initial Contractions, Performance with Bethany Ides, Knockdown Center, New York
2012 Gli amori difficili, Scaramouche, NY Drawing from Performance, curated by Becky Kinder, 92Y Tribeca Galleries, NY Painting Bitten by a Man, dual exhibition with Brian Kokoska, Vox Populi, Philadelphia, PA Searching for a Character, Part 1, Agape Enterprise, Brooklyn, NY
2011 Coming After, The Power Plant, Toronto, Ontario Growing Together, Miguel Abreu Gallery & Neiman Galleries, Columbia University, New York SubStainability, curated by Mary Mikel Stump & Andy Campbell, Galleries at Texas State University, San Marcos, TX Skowhegan Performs, Socrates Sculpture Park, Queens, NY Chain Letter, Samson Projects, Boston
2010 Lush Life, curated by Franklin Evans and Omar Lopez Chahoud, Y Gallery, New York Half a Self (a cave dweller), project space at the former St. Cecilia’s Convent, New York
2009 Like a Moth to a Flame,The Exile, Berlin, Germany A Momentary Fantasy, curated by David Everitt Howe, Scaramouche c/o Fruit & Flower Deli, New York The Buskwick Biennial, NurtureArt and Pocket Utopia, Brooklyn, NY Splinter of the Mind’s Eye, Philip Slein Gallery, St. Louis, MO I Like Winners: Sport and Selfhood, Sheppard Fine Arts Gallery, University of Nevada, Reno, NV
2007 Weekend Without Make-Up, curated by Jeffrey Walkowiak, PS122 Gallery, New York Artists Respond to Louise Nevelson, a documentary with interview and images of recent works as part of Louise Nevelson retrospective, The Jewish Museum, New York Usufruct, curated by Seth Nehil, Linfield College, McMinnville, OR Investigating Secret Psychological Spaces, Museum of Fine Arts, Florida State University, Tallahassee, FL The Armory Show, Socrates Sculpture Park booth, New York
2006 Frisbee, Art Basel Miami; travels to Circus Gallery, Los Angeles, CA Casting Off: Gender Exploration Down South, University of Texas, Austin, TX
2005 2005 Emerging Artist Fellowship Exhibition, Socrates Sculpture Park, Queens, NY Projects 05, Islip Art Museum, Islip, NY The Prophets, with Matthew Morgan, Galapagos Art Space, New York
2004 Connect the Dots, curated by David Dempewolf and Scott Rigby, Columbia University, New York The Warm Weather is Holding, Bard Exhibition Center, New York Strike 2, BaseKamp, Philidelphia
2002 Strike, curated by Gavin Wade, University of Wolverhampton, West Midlands, UK
RESIDENCIES AND FELLOWSHIPS
2013 Visiting Artist in Residence, Krabbesholm Academy of Art, Denmark Qwatz Residency Program, Rome, Italy
Yaddo, Saratoga Springs, NY
Order of the Third Bird residency, Mildred’s Lane, PA Panelist, Tree Time, with PearlDamour, The Kitchen, New York
2009 Mid-Atlantic Foundation for the Arts, Artists & Communities Fellow, York, PA
2007 Mentorship with Paul Pfeiffer, Joan Mitchell Foundation Fellowship, New York Atlantic Center for the Arts, New Smyrna Beach, FL Visiting artist in residence, Illinois State University, Bloomington-Normal, IL
2006 Special Faculty in Cultural Studies, The Pennsylvania Governor’s School for International Studies, Pittsburgh, PA Visiting Faculty Fellow, Department of Visual Arts, University of Chicago, Chicago, IL
2005 Emerging Artist Fellowship, Socrates Sculpture Park, Queens, NY
1996 Rotary Ambassadorial Fellowship
COLLABORATIVE PROJECTS
2013 A Guided Meditation, video with sound, collaboration with Julianne Swartz for Transgressor magazine Shirtology, reperformance of a Jerome Bel work with Chelsea Knight, Socrates Sculpture Park, New York
Eurydice and Orpheus, book project with poet Temple Cone, Pudding House Pubblications, Columbus, OH
2002 City-wide poster project, collaboration with Gedi Sibony, curated by Sal Randolph, The Free Biennial, New York 2001 Let’s Get to Work. Artist/curator with Gavin Wade 25 artist-participants from Europe and the US contribute ideas and works towards the building of an ideal city and re-building the museum space as a 'laboratory', University of the Arts and Base Kamp, Philadelphia, PA & Susquehanna Art Museum, PA.
BIBLIOGRAPHY
2014 "Interview with Jonathan VanDyke," by J.Louise Makary, Critical Correspondence, April 2 "Jonathan VanDyke at Loock Galerie," by Hannah Schraven, gallerytalk.net, January 21
2013 "The New World Order: Jonathan Van Dyke at unosunove," by Carmen Stolfi, ATP Diary, October 19 “Jonathan VanDyke: Beyond Oblivion,” by Elena Basparri, Drome Magazine, October 13 “Reviews: Jonathan VanDyke’s The Painter of the Hole,” Time Out New York, May 1 "Jonathan VanDyke: Oltre l'oblio," by Nicola Gerundina, Zero.it, October "Which of These Things is Not Like the Others?" by Dan Peyton, Art Vetting, July 2 Transgressor Magazine Issue 3, Guest Edited by Igor Siddiqui, Video Contribution Pocket Notes Issue 2, Contributer, June "Jonathan VanDyke in Conversation with Gene VanDyke," with a portfolio of works in Fabrik, edited by Lisa Williams, published by Court Square Project Space, New York
2012 “Coming After at the Power Plant,” by Gabrielle Moser, artforum.com “Man Bites Painting at Vox Populi,” by Edie Newhall, The Philadelphia Inquirer, June 24 “Hot, Wet Paint,” by Katherine Rochester, Philadelphia Weekly, June 13 “History Brought Forward: How the early days of AIDS Shaped today’s emerging queer artists,” by Amanda Chen, Xtra.ca: Canada’s Gay and Lesbian News, February 1 “Coming After: queer time, arriving too late and the spectre of the recent past,” by Jon Davies. Exhibition catalog, published by The Power Plant, Toronto “Painting Bitten by a Man at Vox Populi,” by Edward Epstein, Art Papers, September “Silent, Focused, Unwavering: Jonathan VanDyke the Normal Queer,” by Lisa Liebmann, in Painting Bitten by a Man, exhibition catalog, with additional essays by Andrew Suggs and Christopher Eamon, published by Vox Populi, Philadelphia
“Performa 2011: TONY Picks,” Time Out NY, October 24 “Jonathan VanDyke’s Top Ten Films,” Performa Magazine, November 1 “Taking a Stand, 8 Hours at a stretch, for ‘Convergence’” by Colin Dabkowski, The Buffalo News, (review of solo exhibition and interview), May 29 “Action: Watching the Watcher” by Sal Randolph, Word Object, June 3 “Petite Mort: Recollections of a Queer Public”, by Carlos Motta and Joshua Lubin-Levy, contributing artist
2010 “Jonathan VanDyke,” by Michael Wilson, Art Forum, January 2010 “Changing of the Garde,” by Rachel Wolff, Art + Auction, January 2010 “Drama Unfolds in York’s Abandoned Buildings,” by Erin McCracken, York Daily Record, June 8 “Decorating With Grey,” Real Simple Magazine, October
2009 “Introducing: Jonathan VanDyke,” by Joseph Wolin, Modern Painters, April “Jonathan VanDyke at Scaramouche,” by Marco Antonini, review, Whitehot Magazine, October 2009 “Jonathan VanDyke at Scaramouche,” by Joseph Wolin, exhibition pick and review, Time Out New York, September 24-30, 2009 “See Here Now,” by Rachel Wolff, New York magazine, October 12, 2009 “The Bushwick Biennial,” by James Kalm, The Brooklyn Rail, July/August 2009 “Art at Northside: Jonathan VanDyke at HQ,” by Benjamin Sutton, the L Magazine “Paint by Plumbers,” by Trong Nguyen, exhibition pick and review, Artslant, May “Jonathan VanDyke: Gloved Impediment,” by Trent Morse, exhibition pick and review,Williamsburg Greenpoint News + Arts, May/June 2009 “Take a Look at ‘…the Mind’s Eye’ at Slein,” by Ivy Cooper, The St. Louis Beacon, June 22nd, 2009
2007 “The Get: Jonathan VanDyke for Artware Editions,” The New York Times Style Magazine, Fall “Jonathan VanDyke: What It Feels Like,” by Mara Gladstone, University of Rochester Program in Visual and Cultural Studies, essay in pamphlet accompanying exhibition “VanDyke elicits inspiration from the ordinary,” by Sam Lewis, The Campus Times, University of Rochester, NY “Jonathan VanDyke opens Austin Thomas’ Pocket Utopia,” review, jameswagner.com “Jonathan VanDyke at Pocket Utopia,” edwardwinkleman.com
WRITING
2013 Contributing Artist, Transgressor No 3 Contributing Artist, Pockets Notes
“Julianne Swartz,” essay in retrospective catalogue How Deep is Your, published by Scottsdale Museum of Art and deCordova Museum and Sculpture Garden “The Long Glance,” essay n Switch On, the online magazine of The Power Plant, Toronto
2009 Gloved Impediment, Artist’s Project for Drain Magazine “Paqualina Azzarella,” Joy magazine, New York
2007 “Looking At Art in a Time of War,” Pennsylvania Governor’s School Journal, University of Pittsburgh, PA
2005 “Keep the Link: A Discussion Between Julianne Swartz and Jonathan VanDyke,” interview, FO_A_RM (New York) “Surface Tension,” (photographs + text), Shifter magazine, New York
2001 “I’m Not Here: Constructing Identity at the Turn of the Century,” catalog essay, Susquehanna Art Museum, Harrisburg, PA “Grace Hartigan Interviewed by Jonathan VanDyke,” interview in exhibition catalog, Susquehanna Art Museum, Harrisburg, PA
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